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The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories (in front of main sanctuary), purification halls, offering halls called ''heiden'' (between ''honden'' and ''haiden''), dance halls, stone or metal lanterns, fences or walls, ''torii'' and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897. The definition and the criteria have changed since the inception of the term. The shrine structures in this list were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such they are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value".〔 This list presents 39〔〔 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 39, because in some cases groups of related structures are combined to form a single entry. The structures include main halls (''honden''), oratories (''haiden''), gates, offering halls (''heiden''), purification halls (''haraedono'') and other structures associated with shrines. ==History== The practice of marking sacred areas began in Japan as early as the Yayoi period (from about 500 BC to 300 AD) originating from primal religious beliefs. Features in the landscape such as rocks, waterfalls, islands, and especially mountains, were places believed to be capable of attracting ''kami'', and subsequently were worshiped as ''yorishiro''.〔 Originally, sacred places may have been simply marked with a surrounding fence and an entrance gate or ''torii''.〔 Later, temporary structures similar to present day portable shrines were constructed to welcome the gods to the sacred place, which eventually evolved into permanent buildings that were dedicated to the gods. Ancient shrines were constructed according to the style of dwellings (Izumo Taisha)〔 or storehouses (Ise Grand Shrine).〔 The buildings had gabled roofs, raised floors, plank walls, and were thatched with reed or covered with hinoki cypress bark.〔 Such early shrines did not include a space for worship.〔 Three important forms of ancient shrine architectural styles exist: ''taisha-zukuri'',〔 ''shinmei-zukuri''〔 and ''sumiyoshi-zukuri''.〔〔〔 They are exemplified by Izumo Taisha, Nishina Shinmei Shrine and Sumiyoshi Taisha, respectively, and date from before 552 AD. According to the tradition of '', the buildings or shrines were faithfully rebuilt at regular intervals adhering to the original design. In this manner, ancient styles have been replicated through the centuries to the present day.〔Presently only the Ise Grand Shrine is rebuilt every 20 years.〕〔〔 Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, new styles of shrine architecture were introduced; today's Shinto shrine blueprint is of Buddhist origin. The concept of temples as a place of assembly was applied to shrines. Spaces for worship were added in the form of extended roofs or worship halls (''haiden'') in addition to the main hall (''honden'').〔 The following stylistic elements of Buddhist temple architecture were assimilated and applied to Japanese shrines: column-base stones,〔Before wooden columns were placed directly in the ground.〕 brackets, curved roofs, painted surfaces, metal ornaments, corridors and pagodas.〔 At the end of the 8th century as architectural styles evolved, new elements were added as is evident in ''kasuga-zukuri''〔 (Kasuga Shrine and Hakusandō/Kasugadō at Enjō-ji), the flowing roof or ''nagare-zukuri''〔 (Shimogamo Shrine), ''hachiman-zukuri''〔 (Usa Shrine) and ''hiyoshi-zukuri''〔 (Hiyoshi Taisha). The ''nagare-zukuri'' continues to be the more popular style, followed by the ''kasuga-zukuri''.〔〔 The ''honden'' of Ujigami Shrine dates to this period. At the end of the Heian period ''torii'' and fences were commonly replaced with two-storied gates and grand colonnades copied from temple architecture. The influence of the residential ''shinden-zukuri'' style of palaces and mansions is apparent in shrines such as Itsukushima Shrine. The auxiliary Marōdo Shrine at Itsukushima Shrine originates from the 13th-century Kamakura period, and the ''honden'' and ''haiden'' of the Kibitsu Shrine date from the 15th-century Muromachi period. In the late 16th century and early 17th century, during the Momoyama period, ''gongen-zukuri'' was introduced as a new plan of building shrines. The main hall was joined to the oratory via a connecting structure called the ''ai-no-ma'', derived from the ''hachiman-zukuri'' style. Examples of ''gongen-zukuri'' are the ''honden'' at Kitano Tenman-gū and Ōsaki Hachiman Shrine. Tōshō-gū dates from the Edo period and was completed in 1636. It is a complex assembly of richly adorned shrines, temples and a mausoleum. Such complexes are a result of the syncretism of Shinto and Buddhism which began to appear during the Heian period; Kitano Tenman-gū, built in 947 for the spirit of Sugawara no Michizane, was the first of these ''byō'' or ''jingū-ji''.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of National Treasures of Japan (shrines)」の詳細全文を読む スポンサード リンク
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